Both an effect and an additional masking tool that complements the seven existing mask types in Imerge Pro, Roughen Edges can be applied to any layer to procedurally generate variation in the visible edge of the layer. Caustics, just one of several optical emulations included in Imerge Pro, creates a realistic lighting and displacement effect that simulates the appearance of glistening water-based light refractions and distortion.Īnother new feature is the Roughen Edges effect.
One of the highlights of the new Imerge Pro 2021.3 is the Caustics effect. These mutable, non-destructive features and processes make Imerge ideal for creatives. Imerge has long resisted the categorization of ‘just another Photoshop alternative’ by approaching the image production process with a flexibility and adaptability optimized for the different workflow processes of individual users. The new version contains eight new effects, major improvements to the effects menu, and new effect stack presets. Norwich, UK (July 29, 2021) – Imerge Pro, FXhome’s sophisticated image production software has been updated with a host of new features. Manual rotoscoping using Bézier masks is available, too, but it requires forward planning – adding extra nodes messes up previously created keyframes.The update to FXhome’s next-generation image production software contains new features that speed workflow and expand users’ creative possibilities This data can be mapped onto the source position of a particle generator, or for all sorts of other functions, including rudimentary rotoscoping, where objects are cut out from their backgrounds without the need for a green screen. With the help of the Deflector tool, we were able to make particles appear to bounce off and wrap around the sides of our actor.ĢD optical flow tracking is available to trace the movement of elements within a video. When used in conjunction with the excellent keying tools for separating a subject from its background, it’s possible to place live action elements among the particle effects. Video layers can be positioned in 3D space too.
The results wouldn’t have been out of place in a professional production. Deflectors were put in place to create surfaces for the grass and mud to land on, and Bounce and Friction controls were used to specify how the particles interacted with these surfaces.
The Forces controls were used to add gravity, a gentle breeze and an element of turbulence to the dust cloud.
We used the Lifetime tab to simulate air resistance to slow down the dust and make it hang in the air.
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